My work combines collage, pattern, and abstracted landscape forms to explore how structure and memory shape our visual experience. By layering rhythmic shapes and shifting color relationships, I build compositions that inhabit the space between the natural world and pure abstraction. My focus lies in the balance of form and the deliberate movement of the eye, inviting the viewer to navigate the surface as one might navigate a familiar yet changing landscape.

My artistic foundation includes coursework at the Rochester Institute of Technology and the Art Institute of Pittsburgh, complemented by intensive continuing education, including specialized workshops at the Nancy Crow Barn with artist David Hornung (color and design) and Jan Myers Newbury (surface design and fiber arts), and classes with Canadian Painter Holly Ann Friesen and Painter Virginia Cobb.

Layered memory-form in collage and color-driven abstraction